An avocational choir of professional quality, Cantori New York performances have garnered enthusiastic reviews. Concert-goers praise our richly nuanced sound, expressive character and bold repertoire.


“[T]he program's highlight was a major piece: the Requiem of the Estonian composer Erkki­-Sven Tüür in its American premiere. Strong and distinctive, it explored every aspect of texture and text....the work moved inexorably from the opening lines, intoned darkly and richly by the basses, to the full­-chorus conclusion, ‘Lux aeterna,’ a fierce, consuming blaze of light.”

— The New York Times (Midgette)


“The Cantori New York chorus, directed by Mark Shapiro, was effectively solemn in the prisoners’ despondent marches.” 
— The New York Times (Woolfe)

“A typically intriguing and ambitious endeavor that attracted a significant crowd.”
— Classical Music Rocks


“Stellar”
TimeOut New York


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“The choir, directed by Mark Shapiro, sang with uncommon polish. Few part-­time choruses produce as unified and velvety a sound...”

— The New York Times (Kozinn)

 

“Excellent Oratorio Receives Standing Ovation. Precision of voice and instrument was excellent.”

— Ashbury Park Press

“What made the strongest impression melodically was the 'Song of the Volga Boatmen'.  This is a traditional Russian song, collected by Balakirev and published in 1866; it has been appropriated by composers of many nationalities and here was most effective in expressing the despair of the Russian peasants in pre-Revolutionary Russia. It is heard many times in the course of the opera. The Cantori New York Chorus did well by it, under the direction of Mark Shapiro.”
Voce di meche


“Courageous”

— Time Out New York

 

“One of New York's best amateur choirs”

WQXR

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“Soothing and beautifully uplifting….inspirational for its sheer beauty...”

— Classical Music Rocks


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“Esteemed and highly innovative”

— Alto Riot

 

“A virtuoso performance....
spectacular tour de force”

— The Star-Ledger


“It isn't every day one gets to review the world premiere of a piece that's nearly 100 years old....Ondine is a lovely, lissome thing.... Cantori presented it very well. The rest of the program was filled with meaty pieces.... Each of Debussy's beautiful Trois Chansons de Charles d'Orléans cast its own distinct mood.... The group's spirit of exploration is laudable.... An enjoyable evening.”

— The New York Times (Midgette)